The health crisis has Never Underestimate An Old Man With A Bass Guitar shirt. amplified and intensified the financial pressure” weighing on each business founder’s shoulders. Many, says Ross, were on the cusp of signing leases on their first stores and had to pivot to online or service-based businesses. But, maintains Ross, Michael is a great example of a black designer coming forward outside of fashion and streetwear,” says Ross“They are entrepreneurs. It is exciting to watch them grow.

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While Hi Octane offers an all-access pass into the world of ’90s indie music, there are windows onto fashion as well. At one point, Moore left his alley, which came complete with a sign that read “No Pissing or Shitting,” to head to Vogue’s then headquarters at 350 Madison Ave. Moore enters Never Underestimate An Old Man With A Bass Guitar shirt. looks at the office directory, and says: “Nice place to visit,” adding. “But I wouldn’t want to work there.” Eventually, Moore ends up in Anna Wintour’s office, where he talks about Kim Deal of the band The Breeders who had written an article for Vogue’s July 1994 issue titled “Will You Carry My Guitar.” Moore goes on to explain to Wintour how Deal gets her hair all nice and greasy, a beauty secret that he witnessed backstage firsthand: Deal opens a catered sandwich, uses the mayonnaise on the bun, and rubs it in. “I don’t know how she agreed to be in it,” says Coppola of Wintour’s participation. The segment in which supermodel Jenny Shimizu serves a lesson in fixing trucks is just as riveting. (Shimizu boasts a buzzcut and a tattoo of a pin-up girl riding a wrench.) She’s a riot, too. When asked about her “best limousine ride,” Shimizu has the cheekiest response. “To the CFDA [Awards] with Christy and Naomi. We had a menage à trois and it just got out of hand.” (Try getting a model to make that kind of raunchy quip today.) Other memorable fashion moments: The late photographer Sean Mortensen heading to Paris to interview Karl Lagerfeld. (He refers to Lagerfeld as the “man with the fan.

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