Design By Kingteeshops has wrapped up their epic All-Over design contest I’m Grandma And A Cowboys Fan Which Means I’m Pretty Much Perfect shirt. Adding many new large print designs to their catalog’s already robust collection. Fans of the site will recall that they also boast a selection of from major pop culture behemoths like Star Wars and Marvel, so these new designs are in good company. Without further ado…Finger Jungle by MartaZubieta was the contest’s First Place winner, and it’s very cool to see such an eccentric piece rewarded. The mint and pink color palette feels fresh and summery, and also prevents the concept from veering into overly spooky territory. I like the way it combines the texture of the green area, which is so vaguely defined as to read equally well as seaweed, hair, or something else, with the almost optical illusion of the fingers that jut through the strings and reach out for the viewer. This is a repeating pattern, but done skillfully and printed at the perfect sizing so that most viewers will never notice the repeats.

I’m Grandma And A Cowboys Fan Which Means I’m Pretty Much Perfect shirt, hoodie, sweater, longsleeve and ladies t-shirt

(Guys Tees)

(Ladies Tees)

(Longsleeve Tees)

(Sweatshirt)

(Hoodie)

o turn off the layer you’re not using, simply click the ‘eye’ button on that layer I’m Grandma And A Cowboys Fan Which Means I’m Pretty Much Perfect tshirt. This leaves you with just the one layer to work and experiment with. Now, if you’re intending to control the light, dark and mid-tone areas, you’ll need to use the Level feature. Go to Image in the top menu bar, choose Adjustments and then click Levels. This will open up a panel that allows you to focus on light, dark and mid-tone sliders. As you move the sliders, the open layer will show you the differences in real time. This makes it super easy to separate the tones and prepare for print. Let’s assume that the image we are using has high darks and lights, but everything in between these tones is quite unbalanced. The first step to balancing out these tones is to set the slides at the point where the shades just about begin to ‘ramp up’. Once you’ve done this, it’s time to focus on the middle slider. Try moving the slider towards the left and leave it at the point where the color, once again, just about begins to ‘ramp up’. This is really about balancing things out to the point that your eye notices it – and, when you’re happy, simply click on the ‘eye’ button and you’ll be able to see the huge improvement you’ve made.Don’t just use your first result, however. Be sure to keep toggling the layer on and off so you can continually compare the two images. Gradually move the levels back down from the original point you changed them to, and comparing regularly, find a point that is the perfect balance between the original and the improved layer.