For his third collection, Roseberry aimed to challenge popular ideas of what ‘couture is and should be’ Dwight Howard Keep Going T-shirt. Interrogating silhouettes, fabrics and embellishments, Roseberry embraced the unconventional by playing with exaggeration and the unexpected. Look 15, dress, also on display, references founder Elsa Schiaparelli’s signature colour – shocking pink – which she adopted from 1937. The work also pays homage to Schiaparelli’s embrace of the uncanny and surreal, with metres and metres of fabric seemingly suspended from large hoop earrings. Look 6, Minidress and hat​ from The Matador collection, autumn-winter 2021–22, is a direct homage to an Art Deco evening coat from Autumn 1937 made by Elsa Schiaparelli. The original work features a double image on the back: one of two faces in profile, the other of a vase of roses. Executed in shell-pink silk applique, the roses are multiplied, extending across the upper bodice and cascading down the sleeves. To achieve this, Roseberry worked with long-standing French embroidery house Lesage, who made the original 1937 version. The garments are presented alongside a gilded selection of costume jewellery and accessories, including the recognisable Bust bag​ from spring-summer 2021, with its moulded leather torso, as well Roseberry’s anatomical eyeglasses, finger pieces, earrings and breastplates. The presentation sees the works enclosed within a celestial space immersing visitors through video projection and sound. With her wild imagination and revolutionary approach to fashion, Elsa Schiaparelli instilled a unique creative spirit to 20th century design. Turning ordinary objects into some of the most memorable creations, Schiaparelli expressed her creative talents through fashion, fragrance, and what we refer to today as “merchandising,” blurring the boundaries between creative brilliance and commercial success and developing an innovative business model that is still used by most major fashion houses today. Elsa Schiaparelli’s iconic collaborations with artists like Salvador Dalí, Jean Cocteau, Man Ray, Jean-Michel Franck, and Alberto Giacometti, among others, became legendary. Her legacy has consistently contributed to mainstream culture throughout the decades and continues to inspire people across creative industries and continents. A true artist herself, Schiaparelli is the creative force behind some of fashion’s most revolutionary shapes, techniques, and colours, redefining new standards of style and what beauty means. In 1940, she won the Neiman Marcus Awards for Distinguished Service in the Field of Fashion for her significant influence on the industry. In 2019, the house of Schiaparelli appointed American born designer Daniel Roseberry as Creative Director, based in the iconic Salons Schiaparelli at 21 place Vendome, Elsa’s home, and atelier.

Dwight Howard Keep Going T-shirt ,hoodie, sweater, longsleeve and ladies t-shirt

Drumroll, please… there’s a new trend that’s reigning “supreme” among teenagers. Dwight Howard Keep Going T-shirt According to a recent survey conducted by Piper Jaffray, teens are very much into streetwear labels—i.e., Supreme, Adidas, and Vans, to name a few—and hence, the streetwear trend (more info about the history of streetwear can be found here). As Business of Fashion reported from the survey, the demand for clothing and shoes that give off that classic “street” feel has skyrocketed. “Adidas cracked the top 10 for the first time among teens … while Supreme rose from 10th place last fall to 7th in the latest survey,” per BoF. In the footwear group, Vans saw the biggest increase, jumping “from the preferred choice of 9% of teens a year ago to 16% in the spring survey.”. The reason behind these gains that are particularly in the footwear category? Erinn Murphy, senior research analyst at Piper Jaffray and co-author of the report, shared with BoF that “both Vans and Adidas have this ‘open-source’ platform where they allow pop culture to help guide and influence how they are positioned with the consumer today. Having a very collaborative environment when it comes to the softer side of brands is very important.”